A 24-hour layover in Kuala Lumpur offered a perfect opportunity to visit the famous Batu Caves, a half-hour from city centre by commuter train. For tens of thousands of pilgrims and tourists the main attraction is a profusion of flamboyant shrines and statues, particularly those inside the vast Temple (or Cathedral) Cave, 272 steps above the imposing guardian statue. Near the top, a gate on a side-path caught my eye, its sign welcoming passers-by to a “Dark Cave”. Checking that out after visiting the main feature turned out to be the best decision of my day.
On October 1st each year Nova Scotia celebrates Treaty Day, when nation-to-nation covenants between the indigenous Mi’kmaq and British Crown (now the Government of Canada) are reaffirmed in Halifax (Kjipuktuk in the Mi’kmaw language). Yesterday, to mark the occasion the Mi’kmaw Native Friendship Centre presented a program of dance, song, drumming and cultural teaching along with a free meal of Atlantic salmon to all comers as a gesture of the Peace and Friendship which the treaties were intended to nurture. The troubled three-century history of the treaties and subsequent colonial abuses is too complex to relate here, but is the reason why many people were wearing orange shirts of remembrance. But this was a day of celebration and reconciliation, which put me in mind of another, more ancient annual feast.
Five years ago, lingering over a last glass of wine and aftertaste of delicious Basque cooking, I was savouring the ambience of a little courtyard restaurant tucked under the medieval walls of St. Jean Pied de Port at the foot of the French Pyrenees. Calling for the bill, I jotted a few final notes in a little pocket notebook before returning to my lodgings for the night. It proved to be an unexpected life-changing moment.
The driver of one of the city’s three-wheel auto-rickshaws had proven honest and personable so I offered to hire him for a full day of exploring Old and New Delhi. The next morning Yogesh was at the door, right on time, in his little canvas-covered “tuk-tuk” with its puttering two-stroke engine, and off we went. As our final stop I wanted to wander the famous gardens surrounding Humayun’s Tomb so, after my faithful “rickshaw-wallah” took a picture of me taking a picture, I let him go with thanks. I thought that the thirty-minute stroll back to my lodgings would make the perfect end to a perfect adventure. I was wrong.
In the historic town of Carrión de los Condes in northern Spain, a diverse group of weary guests gathered in the vestibule of the albergue (pilgrim hostel) at the convent of Santa María to join some of the nuns for an evening sing-along before the nightly Pilgrim Mass. Most of us were strangers, united only by walking the Way of Saint James, the Camino de Santiago, to the great cathedral at Santiago de Compostella, still more than 400 kilometres ahead. Song sheets were distributed, a guitar produced, a few well known songs sung, and introductions made around the circle as we each described where we were from and why we were walking the Camino. We were invited to sing songs from our own countries, so a South African pilgrim and I offered a brief rendition of “Senzeni Na”, a protest song from apartheid days. And therein lies a musical tale spanning continents and cultures.
Reports from Afghanistan this week tell of of gunmen storming Kabul University just before the opening of a book fair. It reminds me of similar anti-cultural violence in Pakistan in 2015. Just two days before the Lahore Literary Festival was due to begin, a suicidal fanatic had blown himself up nearby. Officials tried to cancel the event but the organizers refused to be intimidated. Both the army and police vowed to provide protection. Some foreign ambassadors declined to attend, but over the course of three days thousands of Pakistanis and guests from around the world joined in a resounding repudiation of fanaticism and barbarism.
A timely trivia quiz for movie buffs:
1. What 1980 pandemic disaster movie used a Canadian submarine as a set?
2. Which submarine?
3. Who were the lead actors?
4. Which minor actor appears in the credits but not on screen?
The Global (formerly Foreign) Affairs website was advising Canadian travellers to Lebanon to avoid the UNESCO World Heritage Site at Baalbek; partly because of a volatile security situation and partly the presence of Hezbollah, designated by the Canadian government as a “listed terrorist entity”. That was disappointing because it’s a fabulous complex of temples: originally a Phoenician centre of worship, then Greek and finally, as Heliopolis, one of the most important sanctuaries of the Roman empire, with some of largest temples of the ancient world. Today it is one of the best preserved. While I’d never suggest disregarding these warnings (not least because doing so can invalidate your travel insurance), it’s worth remembering that they are, after all, only advisories.
(Revised, 13 December 2019)
At a busy intersection in the heart of old Istanbul there’s an unremarkable stone pillar tucked between the sidewalk and back wall of the 6th century Basilica Cistern. It could easily be missed by the casual passer-by, but a closer look reveals a small plaque that reads: “This stone pillar is all that remains of a Byzantine triumphal arch from which road distances to all corners of the empire were measured. Date IV Century A.D.” A moment’s reflection for that to seep in must surely fire the imagination and give pause for thought – this barely noticeable stub in what is now an obscure corner of a busy modern city was once the very hub of the most widespread empire that the world had known until then. Sic transit gloria mundi indeed. (*)
Deep below the manicured gardens and historic architecture of Hanoi’s ancient Imperial Citadel of Thang Long lies a secret that was opened to the public only in 2012: the headquarters from which the Politburo and Central Military Commission of North Vietnam conducted the “American War” between the bombing of 1967 through the collapse of South Vietnam in 1975. Continue reading “Hanoi – Reflections on the “American War””
From the moment I first saw Emma Fitzgerald’s Hand Drawn Halifax I enjoyed her funny, spontaneous, uninhibited sketching style. My own amateurish attempts tend to be fiddly and fussy, with lots of dithering and erasing in trying to get everything just right (which it never is). So this summer I couldn’t resist an advertisement for Emma’s week-long course at Lunenburg School of the Arts “for those who want to sketch on location, in public, without fear.” That’s me. Continue reading “A Lunenburg Sketch-About”